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<channel>
	<title>Renxing.Zhou</title>
	<link>https://renxingzhou.com</link>
	<description>Renxing.Zhou</description>
	<pubDate>Wed, 08 Apr 2026 17:26:13 +0000</pubDate>
	<generator>https://renxingzhou.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Homepage</title>
				
		<link>https://renxingzhou.com/Homepage</link>

		<pubDate>Sun, 15 Nov 2020 20:53:28 +0000</pubDate>

		<dc:creator>Renxing.Zhou</dc:creator>

		<guid isPermaLink="true">https://renxingzhou.com/Homepage</guid>

		<description></description>
		
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	<item>
		<title>Journey to the Elsewhere</title>
				
		<link>https://renxingzhou.com/Journey-to-the-Elsewhere</link>

		<pubDate>Fri, 29 Aug 2025 03:29:32 +0000</pubDate>

		<dc:creator>Renxing.Zhou</dc:creator>

		<guid isPermaLink="true">https://renxingzhou.com/Journey-to-the-Elsewhere</guid>

		<description>
	How would we reorient ourselves
in the post-globalization world — a world looking to return home, but no longer a home to return,
a heimatlos world？

					
				
			
		
	

	Renxing Zhou &#38;amp; You He &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
Journey to the Elsewhere2025, &#38;nbsp;interactive video installation 
UV printed tablecloth and napkin, plastic Chinakohl, wooden round table, archives


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As the Covid-19 pandemic announced the end of the first phase of globalization after the Cold
War, it also left many abandoned spaces like a void in the city. During a walk along the Rhein near
Bonn, we run into a space as such, an abandoned 3-story-Chinese restaurant, where we
discovered a rich material of the archives including documents, letters, images spanning more
than 30 years covers a historical period of the opening up of China in the early 90s till the hard
lock down due to the pandemic, which provides a slice of perspective of globalization through the
lens of Chinese immigrants in Germany. The building itself not only served as a Chinese restaurant
but also functions as a community center, including a language school and a business company. From the left documents, we can roughly tell it shut down during the pandemic, the archival
materials from faxed love letters to restaurant design plans reveal the entangled threads between
personal stories and historical moments. The 30 years of ever-growing interactions in-between
the continents till an abrupt shutdown were preserved as an archeological layer of collective memory.

					
				
			
		
	





	













	
		
		
	
	
		
			
				
					
						In this video game, we set the restaurant we found on a ghost cargo ship that carries loads of
containers and travels across the continents. With the integration of 3d scans of spaces and the
findings of different memorial artefacts, we turn the game into a spatial archive, allowing players
to grow and explore through the perspective of moss, while the moss gradually covers the room
along with its path. During this process, the boundary between human and non-human is blurred.

						
Outside the screen in the exhibition space, we hang the tablecloths and handkerchiefs we collect
from the laundry room of the place. The artifacts, including handwritings, documents, restaurant
plans, and UV islands from 3D scans, serve as carriers of memory and invite viewers to observe
them closely beyond the game.

					
				
			
		
	



	&#60;img width="3839" height="2039" width_o="3839" height_o="2039" data-src="https://freight.cargo.site/t/original/i/4a72c2b8898369098b3da18f85234fe99f14672d22af7792a2e8bbd89b1ac5db/ScreenShot00009.png" data-mid="238343554" border="0"  src="https://freight.cargo.site/w/1000/i/4a72c2b8898369098b3da18f85234fe99f14672d22af7792a2e8bbd89b1ac5db/ScreenShot00009.png" /&#62;&#60;img width="3872" height="2072" width_o="3872" height_o="2072" data-src="https://freight.cargo.site/t/original/i/3b882e3266ed3894618ca8ec7caf50d64e106d9b638285b0ca60b1526c6e4f22/ScreenShot00036.png" data-mid="238343506" border="0"  src="https://freight.cargo.site/w/1000/i/3b882e3266ed3894618ca8ec7caf50d64e106d9b638285b0ca60b1526c6e4f22/ScreenShot00036.png" /&#62;
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	Sound Design:
Helin Sezen Korkmarz&#38;nbsp; &#38;nbsp;&#38;nbsp;
Technical Support:
Shipeng Ouyang
&#38;nbsp;Software: 
Unreal Engine &#38;amp; Blender

	Special thanks:Shuree Sarantuya
Nathan SchönewolfLilian Haberer &#38;nbsp;

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		<title>共岸 Common Shore</title>
				
		<link>https://renxingzhou.com/Common-Shore</link>

		<pubDate>Wed, 08 Apr 2026 17:26:13 +0000</pubDate>

		<dc:creator>Renxing.Zhou</dc:creator>

		<guid isPermaLink="true">https://renxingzhou.com/Common-Shore</guid>

		<description>
	Filmed during a one-week residency in 2025 at Xiangzhi Fishing Port.
Between sea and shore, between the divine and the human, between woman and man, power passes in quiet accord, as duties and obligations shift from one to another.
They imagine each other’s lives as I imagine theirs.
	Renxing Zhou &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;共岸 Commen Shore
Text：PanLi2026, &#38;nbsp;3-channel video installation, stereo
00:16:31



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</description>
		
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	<item>
		<title>Bird Language 婴鸟</title>
				
		<link>https://renxingzhou.com/Bird-Language</link>

		<pubDate>Fri, 29 Aug 2025 04:09:29 +0000</pubDate>

		<dc:creator>Renxing.Zhou</dc:creator>

		<guid isPermaLink="true">https://renxingzhou.com/Bird-Language</guid>

		<description>
	By imitating human language, birds see themselves as part of a family. They are in desperate need of socialization and a sense of responsibility to fit into this closed and bizarre human family. Despite their inability to (fully) understand, they can sensitively capture the strongest, most emotional parts of expressions, record and reproduce them in daily life.&#38;nbsp;
	Renxing Zhou&#38;nbsp;  &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Bird Language 婴鸟2025，Documentary
In progress


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	<item>
		<title>Fermenting Narratives</title>
				
		<link>https://renxingzhou.com/Fermenting-Narratives</link>

		<pubDate>Mon, 20 Oct 2025 12:45:20 +0000</pubDate>

		<dc:creator>Renxing.Zhou</dc:creator>

		<guid isPermaLink="true">https://renxingzhou.com/Fermenting-Narratives</guid>

		<description>
	In the process of fermentation, our expectations, imaginations and narratives are connected through invisible microorganisms. Through exchanging and gifting, we intertwine in the minuatiae and then create non-verbal and non-material possibilities.

	Workshops - Fermenting Narratives 
since 2024
&#60;img width="2339" height="1654" width_o="2339" height_o="1654" data-src="https://freight.cargo.site/t/original/i/66aa8c8f40a95edacb1c273fb5d539765963549bbb626f139ac7a081406f9bb7/Instruction-Book-final.png" data-mid="239599445" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/66aa8c8f40a95edacb1c273fb5d539765963549bbb626f139ac7a081406f9bb7/Instruction-Book-final.png" /&#62;&#38;nbsp; &#38;nbsp;&#38;nbsp; &#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/2eec669ee30834d568480629b0d420b49bc66903dbd80a98d42b17d131822d06/IMG_2942.jpg" data-mid="239583117" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/2eec669ee30834d568480629b0d420b49bc66903dbd80a98d42b17d131822d06/IMG_2942.jpg" /&#62;
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

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</description>
		
	</item>
		
		
	<item>
		<title>Feierabend</title>
				
		<link>https://renxingzhou.com/Feierabend</link>

		<pubDate>Sun, 02 Jun 2024 12:03:01 +0000</pubDate>

		<dc:creator>Renxing.Zhou</dc:creator>

		<guid isPermaLink="true">https://renxingzhou.com/Feierabend</guid>

		<description>
	Before the earthquake happened, 
the brain had worked overtime. 
The architechture and the system started to shake.
You ducked and covered, as you were taught. 
You play the game to lose control. 
Watched by the concerned spectators, 
the vessel liquefied the layers of soil. 
Leaked out as a workaholics soul. 
Mental restrains caused by control. 
Little mistakes are taken by the waves. 
From the journey you will withdraw.
 Time for Feierabend.
	Renxing Zhou &#38;amp;&#38;nbsp;Helin Sezen Korkmaz&#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Feierabend &#38;nbsp;2023，Video and Sound installation00 : 16 : 30
Exhibition in Weltkunstzimmer Düsseldorf

&#60;img width="2048" height="1080" width_o="2048" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d464303194e81b8fd1ce778f6f87d645fb12e8c421f66969fee326a70200cbb3/blender-probe-one-frame.png" data-mid="212170477" border="0"  src="https://freight.cargo.site/w/1000/i/d464303194e81b8fd1ce778f6f87d645fb12e8c421f66969fee326a70200cbb3/blender-probe-one-frame.png" /&#62;

	

In “Feierabend” we are investigating the haunting nature of sound and any sort of oscillation that left their fingerprints on our prenatal and postnatal perception of the “unseen”.Traveling with myths and aural history, their lack of credibility have a huge effect on our definition of “uncanny” today. 




It is how we translate our memories and how we resonate with the perceivers. The memory that we translate is the experience we had with the natural phenomenon “earthquake”; both physically and emotionally. “Earthquake” is a force that humans cannot escape from and where the artificial systems of control become insufficient.




	











The fear of the unseen and the immensity of the scale of earth’s forces translate themselves into an entity that is trapped in its own bitter insufficiency while&#38;nbsp; working after the official working hours, the so called “Feierabend”. Imprudent and slightly weary; the protagonist loses the sense of orientation and purpose. Time and space start to warp; the doors opening and closing trigger an unstoppable feedback and the protagonist keeps on searching for the flighty source of sound.






In the exhibition room, the visitors are meant to be in the realm of their own creations, but you are also creating and experiencing yourself. The incredibility of this new space we intend to create means to question the causality between action and reaction in terms of sound.

&#60;img width="2048" height="1080" width_o="2048" height_o="1080" data-src="https://freight.cargo.site/t/original/i/181bd9af432dd45bc9b6b0bd3b6663ee3098cae7e319b56d7374c9babae8df83/0000.png" data-mid="212172668" border="0"  src="https://freight.cargo.site/w/1000/i/181bd9af432dd45bc9b6b0bd3b6663ee3098cae7e319b56d7374c9babae8df83/0000.png" /&#62;
	Director:
Helin Sezen Korkmarz&#38;nbsp; &#38;nbsp;
Renxing Zhou 
Camera:
Ayham Khalifeh 
Bernard Mescherowsky 
Cast: 
Serdar Altan 

	Set design: 
Sara Milić
Sound:
Mengting Xing
Sound design:
Helin Sezen Korkmaz
VFX:
Renxing Zhou
</description>
		
	</item>
		
		
	<item>
		<title>House of Fire</title>
				
		<link>https://renxingzhou.com/House-of-Fire-1</link>

		<pubDate>Tue, 25 Jul 2023 09:18:59 +0000</pubDate>

		<dc:creator>Renxing.Zhou</dc:creator>

		<guid isPermaLink="true">https://renxingzhou.com/House-of-Fire-1</guid>

		<description>
	In the light of fire.
	Renxing Zhou &#38;amp; Mengting Xing &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 
House of Fire2023，2-Channel-Videos in Loop00 : 25 : 00


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		<title>Green Love</title>
				
		<link>https://renxingzhou.com/Green-Love</link>

		<pubDate>Sat, 08 Jun 2024 09:17:50 +0000</pubDate>

		<dc:creator>Renxing.Zhou</dc:creator>

		<guid isPermaLink="true">https://renxingzhou.com/Green-Love</guid>

		<description>
	The film consists of the body that the camera gazes at and the romanticised imagery of nature. As I went deeper into the wild forest, off the beaten track, my illusions of nature were stripped away in layers, and the social me was exposed to shifting branches and animal whispers, experiencing horror and naked love in its purest form. 
The entire film is shot with Bolex multiple exposures, in an attempt to juxtapose the perspectives of the observer and the observed, to take the body out of the crevices of the myth and place it back in nature.
	Renxing Zhou &#38;amp;&#38;nbsp;Yonca Yildirim &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Green Love&#38;nbsp;&#38;nbsp;2023，Experimental Film in 16mm 00 : 12 : 08


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	<item>
		<title>Oriental Park</title>
				
		<link>https://renxingzhou.com/Oriental-Park</link>

		<pubDate>Tue, 17 Nov 2020 12:04:48 +0000</pubDate>

		<dc:creator>Renxing.Zhou</dc:creator>

		<guid isPermaLink="true">https://renxingzhou.com/Oriental-Park</guid>

		<description>
	










I want to know how you define a nightmare.

Even though we are afraid of certain things, the same nightmare can frighten us in very different or even opposite ways.




	Renxing Zhou &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Oriental Park &#38;nbsp;2021，Video in Loop00 : 05 : 02&#38;nbsp;


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		<title>Das Ovum</title>
				
		<link>https://renxingzhou.com/Das-Ovum</link>

		<pubDate>Sun, 15 Nov 2020 20:53:25 +0000</pubDate>

		<dc:creator>Renxing.Zhou</dc:creator>

		<guid isPermaLink="true">https://renxingzhou.com/Das-Ovum</guid>

		<description>
	Eier ohne Schale. Waren ohne Verpackung. Nach einer langen Reise werden du und ich gemeinsam in einem unberührten Ozean enden.
	Renxing Zhou &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Das Ovum
2019，Video im Loop
00 : 04 : 12&#38;nbsp;


    

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